icono-, icon- +

Someone who is hostile to images, as are some iconoclasts.

Someone who is extremely and excessively interested in images.

1. A visual representation (of an object or scene or person or abstraction) produced on a surface; such as, a picture, image, or other representation.
2. Eastern Church, a representation of some sacred personage, as Christ or a saint or angel, painted usually on a wood surface and venerated itself as sacred.
3. A sign or representation that stands for its object by virtue of a resemblance or analogy to it.
4. An important and enduring symbol.
5. In semiotics, that stands for its object by virtue of a resemblance or analogy to it.
6. With computers, a sign, representation, or a picture on a computer screen that represents a specific file, directory, window, option, or program.

When an icon is clicked on, some action is performed; such as, opening a directory or aborting a file transfer.

The term originates from Alan Kay's theory for designing interfaces which was primarily based on the work of Jerome Bruner. Bruner's second developmental stage, iconic, uses a system of representation that depends on visual or other sensory organization and upon the use of summarising images.

1. Relating to or characteristic of someone or something admired as an icon: "Her fame has grown to iconic proportions."
2. Relating to or characteristic of a religious icon; iconic images.
3. Made in a conventional style or pose, especially that of an ancient Greek statues of athletes.

1. A reference to or characteristic of an icon.
2. In art, referring to statues, portraits, etc. which are executed according to a convention or tradition.

The formation of a figure, representation, or semblance; a delineation or description.

1. To form an image or likeness of.
2. In computing, to make into an icon; to reduce to the size of an icon.

The belief or attitude that images (or icons) are or should be the central element in the universe.

Images play the most important role, other things (the deity, people, objects, or text, perhaps) being subservient to them.

1. The action or spirit of iconoclasts.
2. The beliefs, practices, or doctrine of an iconoclast.
3. A challenge to or overturning of traditional beliefs, customs, and values.
4. The destruction of religious images used in worship, or strong opposition to their use in worship.

1. One who attacks and seeks to overthrow traditional or popular ideas or institutions.
2. One who destroys sacred religious images.
3. A breaker or destroyer of images; especially, those set up for religious veneration.
4. A person who attacks cherished beliefs, traditional institutions, etc., as being based on error or superstition.

The original iconoclasts destroyed countless works of art; such as, religious images which were the subject of controversy among Christians of the Byzantine Empire, especially in the eighth and ninth centuries, when iconoclasm was at its height.

Those who opposed images did not simply destroy them, although many were demolished; they also attempted to have the images barred from display and veneration.

During the Protestant Reformation, images in churches were again felt to be idolatrous and were banned and destroyed. In the nineteenth century, the term "iconoclast" took on the secular sense that it has today; someone who breaks traditions, doctrines, convictions, practices, etc.

1. Characterized by attacks on established beliefs or institutions.
2. Someone who strongly opposes generally accepted beliefs and traditions.

Someone who worships or serves images; the opposite of an iconoclast.

The worship or veneration of images (or icons); iconolatry.

A reference to the origins of images (or icons).

The originator (generator) of an image.

Related words include: artist, creator, iconocentrist, iconographer, and iconoplast.